![]() ![]() In the heat of the unfolding scene, the fact that either of them can convey a character (or in one case, a well-stocked wet bar) in a few simple movements becomes a wildly entertaining complement to what they’re able to drop into their conversations. In some episodes, Polito manages to catch one of the two in a moment of thought as the story wheels start humming. That hyper-awareness of the Netflix of it all is a prime example of how they’re able to juggle all the demands of a show like this. (There’s also one potential minor tech glitch that the two manage to work into their respective characters.) Whether it’s in Schwartz warning an audience member that their thinly veiled secret might soon be an internationally known thing or Middleditch suddenly getting conscious of how close one of his fictional characters skews to a known, iconic figure in the comedy world, that extra element helps make this set of specials its own operation. They also know when to parachute out of any particular interaction when it either isn’t working or when there’s something worth opening up and playing directly to the audience.Īside from just having the normal trappings of occasional slip-ups, this being a Netflix production adds another knowing layer. There are enough moments to show how these two are attuned to each other’s instincts and habits that they can cue one another to help connect two or three or six disparate dots. ![]() These recordings are just a tiny sliver of what these two have performed together in this format in venues nationwide. “Middleditch & Schwartz” Jeffery Neira/ Netflix That prankster vibe not only gives the audience something to latch onto outside of these convoluted stories, it underlines Middleditch and Schwartz’s natural chemistry. There’s a push and pull that lets them connect a new story idea while effectively setting a playful trap for the other. What makes these two so compelling to watch is how they adjust on the fly and make those slip-ups feel baked into the process.Īs for the performances, there’s a running vein of friendly gamesmanship that makes this more than two guys throwing out crazy hypotheticals for an hour at a time. Mixing the kind of specificity that makes for good improv with Middleditch and Schwartz’s carefree spirit will lead to some points where the pair overshoot their marks. Some viewers might not have patience for the times when the two lose track of a growing roster of fictional people within a single room, but the idea of suddenly remembering a character they’d established a half hour ago or mixing up a name or two is sometimes part of the appeal. ![]() This all goes far beyond setting up a few stationary cameras and cutting between them. And like a standup special, there are certain jokes that hit harder with a specific reaction that a wide shot of the stage wouldn’t pick up. It’s not that they’re running around the auditorium at all times, but the fact that the camera catches them in the sporadic moments when they do start to move helps mark the switches between characters. Middleditch and Schwartz make full use of the stage, using the physical space between them as jokes almost as much as the words they’re saying. ![]() Saved by Annapurna and Netflix, ‘Nimona’ Is a Breakthrough Queer Mainstream Animated Filmįor a show that only involves two people, this is also an impressive showcase for director Ryan Polito. ![]()
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